Martin, Steve - Born Standing Up: A Comic's Life
Language: English
1945- Adult Autobiography Autobiography: The Arts Autobiography: arts & entertainment Biographies & Memoirs Biography Biography & Autobiography Biography: film Comedy Comedy (Performing Arts) Entertainers Entertainers - United States Entertainment & Performing Arts Entertainment & Performing Arts - Actors & Actresses Entertainment & Performing Arts - Comedians Entertainment & Performing Arts - General Films General Humor Individual Actors And Actresses Large Type Books Martin Performing Arts Personal Memoirs Steve Theatre studies Topic United States cinema television & music
Publisher: Simon and Schuster
Published: Nov 20, 2007
Description:
SUMMARY: In the midseventies, Steve Martin exploded onto the comedy scene. By 1978 he was the biggest concert draw in the history of stand-up. In 1981 he quit forever. This book is, in his own words, the story of "why I did stand-up and why I walked away." Emmy and Grammy Award winner, author of the acclaimed New York Times bestsellers Shopgirl and The Pleasure of My Company, and a regular contributor to The New Yorker, Martin has always been awriter. His memoir of his years in stand-up is candid, spectacularly amusing, and beautifully written. At age ten Martin started his career at Disneyland, selling guidebooks in the newly opened theme park. In the decade that followed, he worked in the Disney magic shop and the Bird Cage Theatre at Knott's Berry Farm, performing his first magic/comedy act a dozen times a week. The story of these years, during which he practiced and honed his craft, is moving and revelatory. The dedication to excellence and innovation is formed at an astonishingly early age and never wavers or wanes. Martin illuminates the sacrifice, discipline, and originality that made him an icon and informs his work to this day. To be this good, to perform so frequently, was isolating and lonely. It took Martin decades to reconnect with his parents and sister, and he tells that story with great tenderness. Martin also paints a portrait of his times -- the era of free love and protests against the war in Vietnam, the heady irreverence of The Smothers Brothers Comedy Hour in the late sixties, and the transformative new voice of Saturday Night Live in the seventies. Throughout the text, Martin has placed photographs, many never seen before. Born Standing Up is a superb testament to the sheer tenacity, focus, and daring of one of the greatest and most iconoclastic comedians of all time.An American comic icon tells the story of his second–act rise from obscurity to multimedia stardom.
"When I was a kid," writes Rodney Dangerfield, "I worked tough places in show business––places like Fonzo's Knuckle Room. Or Aldo's, formerly Vito's, formerly Nunzio's. That was a tough joint. I looked at the menu. They had broken leg of lamb." For once, one of America's most beloved comic icons isn't kidding. Dangerfield has seen every aspect of the entertainment industry: the rough–and–tumble nightclubs, the backstage gag–writing sessions, the drugs, the hookers, the lousy day jobs – and the red–carpet star treatment. As he traces his route from a poor childhood on Long Island to his enshrinement as a comedy legend, he takes readers on a roller–coaster ride through a life that has been alternately touching, sordid, funny, raunchy, and uplifting – equal parts "Little Orphan Annie" and "Caligula." And unlike most celebrity autobiographers, he seems to have no qualms about delivering the unfiltered whole story, warts and all.
Dangerfield's personal story is also a rollicking show business tale, full of marquee name–droppings (Adam Sandler, Sam Kinison, Jim Carrey, Johnny Carson, Jerry Seinfeld) and good stories about same. Defying the old saws about the fleeting nature of fame and the dearth of second acts in American life, Dangerfield transformed himself from a debt–ridden aluminium–siding salesman named Jack Roy to a multimedia superstar – and stayed an icon for decades. His catchphrase – "I get no respect" – has entered the lexicon, and he remains a visible cultural presence and perennial talk–show guest.
Dangerfield's hilarious and inspiring musings should thrill comedy fans and pop–culture watchers, and his second–act comeback will strike a chord with readers of all stripes. Maybe he'll even get some respect.
From Publishers Weekly
A Vegas headliner for 20-plus years, Dangerfield became a huge comedic success while maintaining his image as a hassled everyman. He is, says Carrey, "as funny as a carbon-based life form can be." After writing I Couldn't Stand My Wife's Cooking, So I Opened a Restaurant; I Don't Get No Respect; and No Respect, he now presents this anecdotal autobiography, effectively blending honesty and humor. He was born Jacob Cohen in 1921 to a vaudevillian father constantly on the road and a "coldhearted," "selfish" mother: "I guess that's why I went into show business—to get some love." As Jack Roy, he began performing in his teens, struggled in clubs across the country but quit in 1949 to spend 12 years as an aluminum-siding salesman. At 40, he changed his name and his act: "I was older and wiser, yeah, but I was funnier too." In a major comeback, he made 70 Tonight Show appearances and opened his own nightclub in 1969, followed by TV specials and commercials, albums and hit movies. Writing with hip, showbiz savvy and a backstage bawdiness, he regales with tales of Lenny Bruce, Andy Kaufman and many more, and devotes full chapters to sex and drugs. Sidebar jokes, relevant to the text, appear throughout, along with cartoons and b&w photos.
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Review
"Rodney has found a way to appeal to every generation."
-- Jim Carrey